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- <text id=94TT0077>
- <link 94TO0145>
- <title>
- Jan. 24, 1994: No Holiday On Ice
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Jan. 24, 1994 Ice Follies
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- COVER STORIES, Page 55
- No Holiday On Ice
- </hdr>
- <body>
- <p>Dreams of gold and glory in figure skating are very elusive.
- To become a champion, start with talent, money, monomania and
- a top-ranked coach.
- </p>
- <p>By Martha Duffy--With reporting by Leonora Dodsworth/Rome and Lawrence Mondi/New
- York
- </p>
- <p> Once upon a time--only a few years ago, really--a skating
- rink at dawn bore a certain resemblance to a monastery. The
- assembled acolytes performed their early devotions, except in
- this case, they were tracing meticulous patterns on the ice
- with profound concentration.
- </p>
- <p> That lyrical tableau is no longer to be seen. Four years ago,
- the lords of figure skating eliminated school figures--the
- art of laying down perfect circles and then retracing the etching
- exactly--from competitions. The decision changed the nature
- of the sport--and brought whoops of joy from would-be champions.
- Now they could concentrate on flashy leaps and spins; certain
- skaters--Nancy Kerrigan among them--who had trouble with
- patchwork could surge ahead.
- </p>
- <p> One would think this liberation would make the sport slightly
- less laborious. Not at all. Skating remains one of the most
- arduous athletic endeavors a child can pursue. To be an Olympic-caliber
- competitor in any sport requires tremendous devotion at an early
- age, but a youngster who desires to be the best on ice faces
- special demands. Serious training can easily cost $40,000 a
- year in coaching fees, costumes, skates and living expenses.
- The little prodigy who can already do a double flip rarely lives
- near one of the dozen or so shrines where the top coaches preside:
- either a family relocates to a place like Colorado Springs or
- Lakewood, Ohio, or the parents make boarding arrangements. Contrary
- to common perception, the sport is not patrician, at least not
- since World War II. Often parents must take two jobs to meet
- costs.
- </p>
- <p> No matter how poor the skater, paying the bills is easy compared
- with following the training regimen. Roughly four hours on the
- ice, five or six days a week (a slight reduction from the old
- days). And corner cutters might as well not bother. Says coach
- Carlo Fassi, who trained Peggy Fleming, among others: "If you
- stop for two or three weeks, it's grueling to get into shape
- again." Then comes weight training to strengthen the upper body.
- Finally, there are ballet or jazz classes. Scott Davis, 21,
- rebelled against these extra lessons until his Colorado Springs-based
- coach, Kathy Casey, told him to pack his bags and head back
- home to Montana. He surrendered, and is now a two-time U.S.
- gold medalist.
- </p>
- <p> What propels a little child, sometimes just three or four, into
- this paramilitary life and persuades his parents to change their
- lives in order to support the endeavor? For one thing, the future
- stars tend to know right away that they can really excel at
- this. In Kerrigan's case, her group of six-year-olds was still
- sitting on the ice waiting for the teacher to show them how
- to stand and glide when little Nancy began sketching spins.
- Skating talent--if not the persistence to perfect it--is
- almost always obvious.
- </p>
- <p> The dream follows magically, as dreams do. Says coach Don Laws:
- "For a girl, it's very often the vision of Dorothy Hamill. Her
- Olympic year was 1976, but they still idolize her. All the young
- ones see themselves going to the Olympics." So may their parents,
- but the financial reward is more and more a factor--the heady
- prospect of endorsements and contracts.
- </p>
- <p> Fassi emphasizes that determination is all. "Form is not always
- consistent," he says, "particularly when learning a new jump."
- Casey says she always keeps in mind that her talented charges
- have given up some social life: "Late nights, club trotting,
- little of that." But not even persistence guarantees success.
- Particularly in girls, the body changes in adolescence with
- the growth of hips and breasts, and a skater may gain too much
- weight. When Tonya Harding added 8 lbs. after her 1991 national
- title, she put herself out of the running. The psyche may also
- fluctuate: fear of competing, as Fassi notes, is paralyzing.
- Kerrigan and her coaches, who have lived through her tendency
- to omit jumps in performance, know this too.
- </p>
- <p> If either Kerrigan or Harding does not skate for the U.S. Olympic
- team, the alternate is Michelle Kwan, only 13. As gold medalist
- and TV commentator Dick Button observes, she is already "beautifully
- put together," and she is equally adept at putting together
- her life. When her coach, Frank Carroll, advised her to spend
- another year maturing in the junior division, she waited until
- he went away for a few days, and successfully applied for senior
- status by herself. Placing second in the Nationals in Detroit
- two weeks ago was a triumph. On the ice she shows the kind of
- bravura that launches a major career.
- </p>
- <p> No matter who represents the U.S., they will find some strong,
- attractive competition, but no one who is dominant. Among them:
- </p>
- <p> Oksana Baiul, 16, put the skating world on notice when she won
- last year's world title in Prague.
- </p>
- <p> Surya Bonaly, 20, is the purist's bane and the crowd's darling.
- This tiny French girl leaps with abandon, spins her own way,
- often at a scary tilt, and in between pumps her way around the
- rink. But within the past 15 months she has decided to add some
- discipline to her act. Her stroking is smoother, her program
- better paced. She is talented enough to execute difficult moves
- correctly and zany enough not to lose her wit and vitality if
- she chooses to.
- </p>
- <p> Chen Lu, 16, is the first skater of consequence to come out
- of China. Born into a family of athletes--her father was a
- member of the national hockey team--she nonetheless learned
- much about her art from videotapes. She has a liquid style and
- a command of the ice beyond her years. So far, she has proved
- to be no more than competent at the crucial jumps, and at times
- her programs have been more dutiful than sparkling. But this
- is a newcomer to international competition, emerging from a
- country with no skating tradition. She has gained experience
- on exhibition tours, but she may need another year or so to
- express the authority that seems innate to her.
- </p>
- <p> For athletes in this charmed circle, it's a great life if you
- don't weaken. Dick Button marvels at the number of competitions
- (Skate America, Skate Canada, Piruetten), plus the tours that
- clog a skater's year. "The pressure is never off," he says,
- "especially in an Olympic year." Button is skeptical of the
- demands made by the three-month-long, 59-city Tom Collins tour
- (April 11 to July 12), but in fact this is the ambition of every
- first-class competitive skater. Collins, the impresario, picks
- mostly Olympic and national medalists, along with some other
- favorites, and he treats them well: good hotels, flights rather
- than bus hops for distances of more than 200 miles and, best
- of all, good money. The pay varies--reportedly $5,000 for
- an Olympic bronze winner, ascending to $15,000 a gig for a gold
- medalist. Kerrigan has signed for the upcoming hit parade, as
- have Brian Boitano, Viktor Petrenko, Davis, Baiul and Bonaly.
- </p>
- <p> For the skater who turns professional--an evaporating distinction
- now--there are ice shows too. For every top performer, endorsements
- can pay for all the years of sacrifice. An enduring favorite
- like Hamill still has plenty of corporate friends, among them,
- NutraSweet, Kitchenaid and Miracle-Gro.
- </p>
- <p> So with these money trees to be shaken, why are major professionals
- like Boitano (gold medalist in 1984) and Britain's Jayne Torvill
- and Christopher Dean (also 1984 winners, in dance) returning
- to the upcoming Olympics? After all, their show-biz routines
- are smooth and easy, very scant on triple jumps. Possibly it
- all goes back to those patches; the new rules have reopened
- the doors to onetime champions who let their mastery of school
- figures lapse long ago. But they may feel nostalgia for the
- old discipline, for the satisfaction of finding, in devotion
- and repetition, the perfect triple jump.
- </p>
-
- </body>
- </article>
- </text>
-